Jerry Buley, Ph.D.
Fine-Art Photography
Artist's Statement
I have been a
serious photographer all of my life. My career as a professional
photographer began after my retirement in 2005 as a professor emeritus
in communication. In the short number of years since then I have
won multiple prestigious awards (including First Place in the 2009
Sedona Art Center Member’s Show, Professional Photography Division),
have been published many times online and in print (including a yearly
calendar for The Oasis Sanctuary – A 501(c)3 bird rescue near Benson,
Arizona), am in multiple galleries internationally, and have I have been
invited to show my works in a variety of art venues and fine-art shows.
In addition to being in the collections of many individuals, I am also
in the collection of several institutions (including six pieces in the
downtown Phoenix gallery of the Arizona State University). In addition,
I provide pro-bono photography for various non-profit agencies. I
am currently Program Director for the Sedona Visual Artists’ Coalition.
I am passionate about fine-art
photography and have written articles promoting and defending
photography as a fine art. If you are not a photographer you might
ask why someone would feel the need to defend it as a fine art.
Let me tell you. The first time someone drew a picture of an
antelope on the wall of a cave many eons ago, it was an attempt to show
others what the artist had seen. It was an attempt at telling the truth
those who saw it believed it for that reason. Yet, over the many
thousands of years since we learned those who drew could lie to us in
ways that pleased us. Today, we do not necessarily assume that what we
see in a drawing is any version of any reality that ever existed.
Similarly, humans developed the ability
to use language to describe events to tell others what had happened.
That is, to tell the truth of what happened on a given day. Over time, writers learned to lie to us
in ways that we found pleasant. Just as with drawing, we have learned
with writing to withhold our disbelief when we read fiction.
In both literature and drawing, the form
did not become a fine art until it could engender the full range of
human emotions. They make us feel something. They could not become a
fine art until we let them, and we liked that they did.
Photography, too, was originally
developed as a means of telling people the truth. But, unlike
literature or painting, lies are not tolerated in fine-art photography.
I still hear the inane question in galleries: “Has that picture been
Photoshopped?”. If you are asking, “has that picture been incompetently
edited in photo editing software,” then it is a relevant question.
Competency lies at the heart of any fine art. If you can tell a picture
has been edited, it has been done incompetently. And, you should trust
your eyes on this. Everyday we see literally thousands of bits of
advertising using images. Nearly every one of them has been edited in a
photo-editing program. When it is done well, competent photo craftsmen
will fool you every time.
However, if you are asking the question
because you prefer photography, particularly fine-art photography to
always tell the truth, then you are limiting that art form, at least in
your own mind, to dwell on the out skirts of the fine-arts.
The fine arts are not about truth. They
are, instead, about the ability to engender emotion in those who consume
them. When you prevent us from lying to you in our photographs, we are
forced to lie in response to your question “Has this photograph been Photoshopped.” After all, we want to to show our art. We want for our
art to be appreciated. And, we want to sell you our art. So yes, we
lie to you. Either we lie in our art in way's that please you, or, we
lie to you in answer to your question. You decide which you
prefer.
All we are asking is when you approach a
photograph in a fine art gallery, the first question you ask is “Do I like it?” the
same question you ask of any other fine art. |